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Production Course 2023 - Javhastudios
20733
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Production Course 2023

You can obtain the online course passwords here.

Session 01. First approaches.

  • The idea and the adjetives
  • Preparing a project
  • Starting a project and parts of a track
  • The musical productor role

Session 02. Recordings instruments & levels.

  • Preamps
  • Mono and stereo
  • Correct level for recording
  • Correct level for VST

Session 03. Drum machines.

  • TR909, TR808 and Lindrum
  • Making patterns
  • The 4/4
  • Kick, snare, toms, clap, hats
  • 808 Bass
  • Ghost notes
  • Swing, Groove and Roll

Session 04. Percussions.

  • What is a secondary percussion?
  • Kinds of percussion
  • How to use a secondary percussion
  • Percussion loops
  • Synthetic percussions
  • Real percussions

Session 05. Kind of Synthesis.

  • Sustractive
  • Aditive
  • FM
  • Linear Arithmetic
  • Approaches and uses

Session 06. Kind of Synthesis 2.

I´m editing this video. Will be available very soon, please be patient.

  • Wavetable
  • Sampling
  • Granular
  • Physicall Modeling

Session 07. Sound Synthesis.

I´m editing this video. Will be available very soon, please be patient.

  • The envelope
  • The oscilators
  • The LFO
  • The filter
  • The VCA
  • Creating and developing sounds

Session 08. Basic Harmony.

  • What ́s harmony and how to use it
  • Mayor and minor scale
  • The modes
  • Electronic music and harmony
  • The minimalism working in the current styles

Session 09. Bass lines.

  • Bass sounds frequency range
  • The Bass weight
  • How to create a Bass
  • Relation between bass & sine waves
  • Creating a SubBass
  • Distinction between Bass & SubBass
  • Top extension Basses
  • The 303
  • Yamaha DX Solid Bass & Lately Bass
  • Minimoog
  • The tonal note in Bass
  • The note length importance
  • SubBass as a support
  • Dodecaphonic sequences with basses
  • Invert and Reverse sequences
  • 4/4 3/4 7/4

Session 10. Lead synths.

I´m editing this video. Will be available very soon, please be patient.

  • Melodies into the electronic music
  • Lead synth frecuencies
  • Open & Close sequences
  • Tonality
  • Classic sounds
  • Creating sequences
  • 3/4, 4/4 and 7/4

Session 11. Secondary synths.

I´m editing this video. Will be available very soon, please be patient.

  • What is a secondary synth?
  • Complete areas
  • Upper and lower octave
  • Making layers

Session 12. Modular synths.

  • The Oscillator (VCO)
  • The Envelope (ADSR)
  • The Amplitude manager (VCA)
  • The Gate
  • The Pitch/Note (V/Oct)
  • Differences between Gate & Trigger
  • The Scope
  • Polyphony
  • The importance of something simple
  • Working with various oscillators
  • Differences between different oscillators
  • Modulations between oscillators
  • The FM Input
  • The Filters
  • Expanding the timbre
  • LFO´s
  • The Sequencer
  • How to connect the sequencer to the oscillators
  • How to connect the clock to the sequencer
  • Connecting the gate between Envelope & Sequencer
  • Using rows to modulate others parameters
  • Effects
  • Differences between a modular and a standard synth

Session 13. Pads and drone.

  • The String behavior
  • The String harmonics
  • String size, Pitch and weight
  • Solina Strings
  • Real strings emulation
  • Combining different strings
  • Strings Articulations
  • Legato
  • Portato
  • Staccato
  • Pizzicato
  • Combining different articulations
  • Strings adjectives and types of synthesis
  • Strings & Octave range
  • Strings Layers & octaves distribution
  • Managing the strings masking problems
  • Applying the invisible side-chain
  • Stereo problems with pads & strings
  • Fixing pad stereo problems
  • Distributing pads along the stereo field
  • Distributing pads considering the directionality
  • Drones
  • Spreading drone sounds

(01:07:24)

Session 14. Samples.

I´m editing this video. Will be available very soon, please be patient.

  • Using samples
  • Types of samples
  • Recording samples
  • Pitch-shifting
  • Problems with samples
  • Problems that usually happen using samples libraries

Session 15. Emotions linked to instrumens.

I´m editing this video. Will be available very soon, please be patient.

  • Electronic instruments vs real instruments
  • Texture and rhythm
  • Frequencies and emotions
  • Tones
  • Timbre
  • Colors
  • Sensations

Session 16. EQ.

  • Kinds of EQ
  • Analog & digital
  • Choosing and using

Session 17. Dynamics.

  • Essential compressor controls
  • Ratio
  • Attack
  • Release
  • Threshold
  • Gain Out
  • The lack of bass with compressors
  • Types of compressors
  • Tube or Vari-Mu Compressor
  • Digital Compressors & Bass Sounds
  • Analog compressor & Bass Sounds
  • The harmonic content
  • Opto-compressor
  • Distortion & Saturation Units
  • Hard Compression
  • Print more Low End w/ Compressors
  • Series Compression

Session 18. Effects.

  • Delays
  • Spreading the sound with delays
  • Filters on Delays
  • Sync Delays
  • Reverb
  • Insert Reverb
  • Send/Return Reverb
  • Harmonizer
  • Flanger
  • Phaser

Session 19. Sound Design.

  • Envelope Layering
  • Layering Loudness
  • Managing envelope parts
  • Polarity match
  • Pitch/Tone matching
  • Fade In Fade Out
  • Setting the layers volume
  • Rendering the result
  • Problems at point 0
  • Sound support and extension
  • Creating a support
  • Creating an Extension
  • Designing tonal sounds
  • Converting MIDI to Audio files
  • Harmonizers Pitch Layering control
  • Layering Stereo Position Control
  • Layering frequency range
  • Effects Chains for Sound Design
  • Working out of the DAW
  • Mammut
  • Metasynth
  • The attention call

Session 20. Sequencing.

I´m editing this video. Will be available very soon, please be patient.

  • The musical sense
  • Space between instruments
  • The importance of silence
  • The macrodinamic

Session 21. Structure parts (Arrangement).

I´m editing this video. Will be available very soon, please be patient.

  • The beginning of the track
  • The phrase
  • The bridge
  • Strong part and weak part
  • The Outcoming
  • Arrangements
  • When you can consider your track is finished?
  • Bouncing for mix